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Spans the oeuvre of the Berlin jewelry artist from the early 1980s to the present. A breath-taking journey from geometrical forms to casts from nature, from stone to his current work, which unite the entire creative work of the artist in a grand symbiosis.

Spans the oeuvre of the Berlin jewelry artist from the early 1980s to the present. A breath-taking journey from geometrical forms to casts from nature, from stone to his current work, which unite the entire creative work of the artist in a grand symbiosis.

Very rarely does a jewellery artist manage to find new pictorial worlds of such a personal nature during the course of their creative work so freely and unencumbered as Daniel Kruger (born 1951, South Africa). His experiments with the most diverse materials, decoration, forms and structures testify to an exuberant creativity for which he was honoured with the renowned Herbert Hoffmann Award for Art Jewellery in 1987 and 2005.Daniel Kruger uses found objects of every kind, or quotes historical forms and decoration. The unusual combinations of materials as well as new interpretations of techniques used in handcraft and textile work unexpectedly, yet invariably, lend his jewellery pieces new perspectives and aesthetic pleasure as well as a decidedly erotic quality, as he himself says.The works illustrate Daniel Kruger's curiosity with unconventional techniques and materials; they are also an expression of his awareness of nature and artificiality, history and tales, tradition and the present: sometimes ironic, at times restrained, but frequently also opulent and sensual.Text in English and German.

A first-of-its-kind publication, dedicated to drawings by jewelry artists Contains drawings and selected jewelry objects by 36 major European jewelry artists Accompanies the exhibition 'Private Confessions' at CODA Museum, Appeldorn (NL), Sept. 2016-Jan. 2017 & at Museum Villa Stuck, Munich (DE), March-May 2017The multifarious relationships between drawing and jewelry constitute a largely unknown aspect of contemporary art jewelryPrivate Confessions, the first publication on this topic, therefore focuses on graphic work by well-known and aspiring artists, opening up new perspectives through its juxtaposition with jewelry objects. In addition, it also deals with drawing as an artistic action and as autonomous expression, transgressing disciplinary boundaries through experimental expansion and the pursuit to broaden familiar terrain. It accompanies aesthetic reflection and exemplifies the creative back-and-forth that enables intimate dialogue with artistic impulses. A groundbreaking work, which showcases the fusion of applied and fine arts before your very eyes! Text in English and German.

The unique jewelry creations of Art Nouveau, which blurred the boundaries between jewellery and sculpture, the applied and the fine arts, are impressively represented in this book by the work of their major exponents, first and foremost Rene Lalique. As an early exponent of Art Nouveau jewellery making, Rene Lalique was not only the leading Belle Epoch jewellery designer and maker, he was also one of the greatest European jewellers of all time; he united consummate mastery of his craft with the highest aesthetic standards in combining innovative motifs and shapes and rarely-used materials like horn or glass. The greatest French jewelers, among them Fouquet, Gaillard, Vever and Gautrait, were inspired by Lalique to create their own original designs.

A first-of-its-kind publication, dedicated to drawings by jewelry artists Contains drawings and selected jewelry objects by 36 major European jewelry artists Accompanies the exhibition 'Private Confessions' at CODA Museum, Appeldorn (NL), Sept. 2016-Jan. 2017 & at Museum Villa Stuck, Munich (DE), March-May 2017The multifarious relationships between drawing and jewelry constitute a largely unknown aspect of contemporary art jewelryPrivate Confessions, the first publication on this topic, therefore focuses on graphic work by well-known and aspiring artists, opening up new perspectives through its juxtaposition with jewelry objects. In addition, it also deals with drawing as an artistic action and as autonomous expression, transgressing disciplinary boundaries through experimental expansion and the pursuit to broaden familiar terrain. It accompanies aesthetic reflection and exemplifies the creative back-and-forth that enables intimate dialogue with artistic impulses. A groundbreaking work, which showcases the fusion of applied and fine arts before your very eyes! Text in English and German.

Wilhelm Heyne Verlag, Munchen, Germany, 1998. This is the first German Language Hardback Edition. 215 x 150mm, 323 pages with color and black & white illustrations. German text. Detailed and well-illustrated volume on Jugendstil Period jewellery dating from 1895 to 1915. Bound in original pictorial boards.

A geometric language of forms, influenced by Cubism and the aesthetic of the machine, coloured plastic and chromium are synonymous with the Art D,co costume jewellery which was so popular in 1920s and 1930s Europe. Formerly classified by specialists as 'French jewellery', these Art D,co jewellery objects were actually made at the Jakob Bengel Chain and Bijouterie Wares Factory, founded in Idar-Oberstein in 1873! The jewellery produced by Bengel between 1931 and 1938 is distinguished by that of other makers by extraordinarily powerful innovation and a high degree of individuality. A mix of materials consisting of the coloured plastic Galalith and chromium-plated metal is handled with a playfully light touch. Bengel jewellery was exported world-wide. More than two hundred and fifty pieces of Bengel jewellery are superbly reproduced and described in this monograph on the firm. In addition, the book surveys over one hundred and thirty years of Bengel history and gives insights into sample books that ha

This book offers a synopsis of the jewellery of the Near East from its beginnings until the end of the Achaemenid period. It includes 116 tables and 80 illustrations. The jewellery pieces are classified according to shape, and as far as possible, according to type, so that the complete variety and individuality, as well as the beauty of the ancient oriental jewellery is illustrated.Through the inclusion of jewellery presentation as well as jewellery descriptions in the poetry and other written traditions, it is intended to show the jewellery of those times in a cultural-historical connection.Das Buch bietet mit 116 gezeichneten Tafeln und 80 Abbildungen im Text einen detaillierten Überblick über den Schmuck des Vorderen Orients von den Anfängen bis einschliesslich der Zeit der Achaemeniden. Die Schmuckstücke werden innerhalb ihrer Zeit nach Schmuckformen und, so weit möglich, nach Typen geordnet, so dass die ganze Vielfalt, Eigenart, aber auch die Schönheit des altorientalischen Schmuckes deutlich wird.Durch die Einbeziehung von Schmuckdarstellungen sowie Schmuckschilderungen in Dichtung und anderen schriftlichen Überlieferungen wird versucht den Schmuck der jeweiligen Zeit in einen kulturhistorischen Zusammenhang zu stellen.

A geometric language of forms, influenced by Cubism and the aesthetic of the machine, coloured plastic and chromium are synonymous with the Art D,co costume jewellery which was so popular in 1920s and 1930s Europe. Formerly classified by specialists as 'French jewellery', these Art D,co jewellery objects were actually made at the Jakob Bengel Chain and Bijouterie Wares Factory, founded in Idar-Oberstein in 1873! The jewellery produced by Bengel between 1931 and 1938 is distinguished by that of other makers by extraordinarily powerful innovation and a high degree of individuality. A mix of materials consisting of the coloured plastic Galalith and chromium-plated metal is handled with a playfully light touch. Bengel jewellery was exported world-wide. More than two hundred and fifty pieces of Bengel jewellery are superbly reproduced and described in this monograph on the firm. In addition, the book surveys over one hundred and thirty years of Bengel history and gives insights into sample books that ha

Formateinband: Großformat, Leinen mit Umschlag und Kopfgoldschnitt / gebundene Ausgabe 424 S. (34 cm) In englischer Sprache; Lizenzausgabe für C.H. Beck; (Mit zahlreichen Abbildungen); Schutzumschlag teils etwas angerändert; sonst gut und sauber erhalten. Sprache: Englisch Gewicht in Gramm: 3500 [Stichwörter: Schmuck, Juwelen der Renaissancezeit, Renaissanceschmuck, Bildband]